| 单词 |
Neue Sachlichkeit |
| 释义 |
‖ Neue Sachlichkeit|ˈnɔɪə ˈzaxlɪçkaɪt|
[G., ‘new objectivity’.]
A movement in the fine arts, music, and literature, which developed in Germany during the 1920s and was characterized by realism and a deliberate rejection of romantic attitudes.
1929G. F. Hartlaub Let. 8 July in Arts (1931) XVII. 237 The expression Neue Sachlichkeit was in fact coined by me in the year 1924. A year later came the Mannheim exhibition which bore the same name. The expression ought really to apply as a label to the new realism bearing a socialistic flavor. 1938C. Fullman tr. Thoene's Modern German Art 87 The new group..wanted super-concrete precision; after the elimination of objects, journalistic reporting of time and place. This was the starting-point for German vérisme, the ‘Neue Sachlichkeit’, and the art of such men as Max Beckmann, Otto Dix, George Grosz and their like. 1950B. S. Myers Modern Art in Making xix. 351 There appeared a movement since classified as Neue Sachlichkeit, or New Objectivity, begun in 1920 by Otto Dix and George Grosz. 1954Grove's Dict. Mus. VI. 53/1 Neue Sachlichkeit.., a term that came into fashion in Germany between the two world wars. It describes a tendency in some composers of that time to write music entirely detached from sentiment and free from any pictorial suggestion. 1959J. Willett Theatre of Bertolt Brecht vii. 194 A deliberately impersonal quality marks much of the art of that time [sc. the late 1920s], as the words ‘Neue Sachlichkeit’ themselves imply. 1964Listener 17 Sept. 445/1 After its first performance in 1923..[Hindemith's] Marienleben was hailed as a shining example of Neue Sachlichkeit, a new matter-of-fact contrapuntal style then emerging, which represented a conscious reaction against the hyper-romantic attitude prevalent earlier this century. 1970Oxf. Compan. Art 772/2 Neue Sachlichkeit, a movement in German art and literature that arose in the mid 1920s. It represented a sharp reaction against experimental and idealistic art of any sort... Artists strove for an ‘honest objectivity’ (Sachlichkeit), depicting with matter-of-fact literalness their everyday experience. |
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